Asymmetric Harmonic Lift
MOSFET-style clipping against Schottky-style asymmetry creates the drive's singing second-harmonic structure. It feels lively under the pick while keeping chords open and readable.

“Open drive with
asymmetric bite and
amp-like push”
MOSFET-style clipping against Schottky-style asymmetry creates the drive's singing second-harmonic structure. It feels lively under the pick while keeping chords open and readable.
The voicing switch changes the low-end stance. HP keeps the bass tighter and faster for dense mixes; LP gives the pedal a fuller, bigger bottom end for rhythm parts and single-coil weight.
What do the knobs actually do?
Controls gain into the clipping stage. At low settings it stays close to clean boost territory; as it rises, the circuit moves through crunch into thick, saturated overdrive.
Sets the high-frequency roll-off, moving from warmer and smoother to brighter, more cutting drive tones.
Controls final output level, with enough headroom to sit at unity or push the next amp model hard.
Selects the low-end voicing. HP tightens and trims the bass for focus; LP restores a fuller bottom for bigger rhythm parts.
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